Life on SandpaperLife on Sandpaper
Title rated 3.6 out of 5 stars, based on 4 ratings(4 ratings)
Book, 2011
Current format, Book, 2011, 1st ed, Available .Book, 2011
Current format, Book, 2011, 1st ed, Available . Offered in 0 more formatsIn this fictional memoir, wounded and penniless Kaniuk leaves Israel, settles in New York's 1950s Greenwich Village, and becomes immersed in New York's art and music scene.
Susan Sontag writes: “Of the novelists I have discovered in translation . . . the three for whom I have the greatest admiration are Gabriel Garci´a Ma´rquez, Peter Handke, and Yoram Kaniuk.“
A whirlwind of art, music, and lust, Life on Sandpaper is Yoram Kaniuk’s overwhelming autobiographical novel detailing his years as a young painter in the New York of the ‘50s. Wounded and alienated, a war veteran at the age of nineteen, Kaniuk arrives in Greenwich Village at its peak period of artistic creativity, and finds his way among such giants as Charlie Parker, Billie Holiday, Willem de Kooning, and Frank Sinatra. In terse prose, inspired by the associative and breathless drive of bebop, Kaniuk’s memories race between the ecstatic devotion of his beloved Harlem jazz clubs, through the ideological spats of the dying Yiddish world of the Lower East Side, to the volcanic gush of passion, pain, art, dance, alcohol, and drugs that was Greenwich Village. Kaniuk’s stories roll and tumble here with hypnotic urgency, as if this were his last opportunity to remember, and tell, before all is obliterated.
A whirlwind of art, music, and lust, Life on Sandpaper is Yoram Kaniuk’s overwhelming autobiographical novel detailing his years as a young painter in the New York of the ‘50s. Wounded and alienated, a war veteran at the age of nineteen, Kaniuk arrives in Greenwich Village at its peak period of artistic creativity, and finds his way among such giants as Charlie Parker, Billie Holiday, Willem de Kooning, and Frank Sinatra. In terse prose, inspired by the associative and breathless drive of bebop, Kaniuk’s memories race between the ecstatic devotion of his beloved Harlem jazz clubs, through the ideological spats of the dying Yiddish world of the Lower East Side, to the volcanic gush of passion, pain, art, dance, alcohol, and drugs that was Greenwich Village. Kaniuk’s stories roll and tumble here with hypnotic urgency, as if this were his last opportunity to remember, and tell, before all is obliterated.
Susan Sontag writes: "Of the novelists I have discovered in translation... the three for whom I have the greatest admiration are Gabriel García Márquez, Peter Handke, and Yoram Kaniuk."
Susan Sontag writes: "Of the novelists I have discovered in translation... the three for whom I have the greatest admiration are Gabriel Garc?a M?rquez, Peter Handke, and Yoram Kaniuk."
Susan Sontag writes: “Of the novelists I have discovered in translation . . . the three for whom I have the greatest admiration are Gabriel Garci´a Ma´rquez, Peter Handke, and Yoram Kaniuk.“
A whirlwind of art, music, and lust, Life on Sandpaper is Yoram Kaniuk’s overwhelming autobiographical novel detailing his years as a young painter in the New York of the ‘50s. Wounded and alienated, a war veteran at the age of nineteen, Kaniuk arrives in Greenwich Village at its peak period of artistic creativity, and finds his way among such giants as Charlie Parker, Billie Holiday, Willem de Kooning, and Frank Sinatra. In terse prose, inspired by the associative and breathless drive of bebop, Kaniuk’s memories race between the ecstatic devotion of his beloved Harlem jazz clubs, through the ideological spats of the dying Yiddish world of the Lower East Side, to the volcanic gush of passion, pain, art, dance, alcohol, and drugs that was Greenwich Village. Kaniuk’s stories roll and tumble here with hypnotic urgency, as if this were his last opportunity to remember, and tell, before all is obliterated.
A whirlwind of art, music, and lust, Life on Sandpaper is Yoram Kaniuk’s overwhelming autobiographical novel detailing his years as a young painter in the New York of the ‘50s. Wounded and alienated, a war veteran at the age of nineteen, Kaniuk arrives in Greenwich Village at its peak period of artistic creativity, and finds his way among such giants as Charlie Parker, Billie Holiday, Willem de Kooning, and Frank Sinatra. In terse prose, inspired by the associative and breathless drive of bebop, Kaniuk’s memories race between the ecstatic devotion of his beloved Harlem jazz clubs, through the ideological spats of the dying Yiddish world of the Lower East Side, to the volcanic gush of passion, pain, art, dance, alcohol, and drugs that was Greenwich Village. Kaniuk’s stories roll and tumble here with hypnotic urgency, as if this were his last opportunity to remember, and tell, before all is obliterated.
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- Champaign [Ill.] : Dalkey Archive Press, 2011.
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